He treats the smallest compositional details with the care and craftsmanship of a chorus- everythingВ here is a hook, from the ad-libs (a term that feels insufficient-ThugвЂ™s 'ad-libs' are fully integrated into the songвЂ™s structure, to the point where we should probably just call them backing vocals)В to the individual bars to the empty spaces. He plies those compositional talents here to the cohesive rap album, a format Thug had shown very little prior indication he was interested in at all. ItвЂ™s ThugвЂ™s uncanny and singular way of piecing a song together, a skill he has doubled down on with this release: a way with vocal technique, melody, and detail-oriented composition that makes the bizarre seem approachable and the familiar feel new. Instead, Barter 6В argues that his greatest asset all along was not his wackiness, his 'outsider' status, or his surprising inner hitmaker-itвЂ™s not even his voice, or at least, not entirely.

It reflects none of the clamor of ThuggerвЂ™s dramatic 2015. and Boosie appearances, is the least integral track, despite its star power. There are hardly any big-name collaborators here: 'CanвЂ™t Tell', with its T.I. There is no 'Lifestyle' on Barter 6, nor is it particularly 'weird.' Opening track 'Constantly Hating' unfurls gently, its impressionistic Wheezy beat leaving space between bass tremors for Thug to explore.

Early 2014 singles 'Stoner' and 'Danny Glover' plopped Thug on the threshold of the mainstream, and Rich Gang, the Birdman-conceived duo of Thug and kindred spirit Rich Homie Quan, spawned the radiant single 'Lifestyle'. By 2013вЂ™s 1017 Thug, ThugвЂ™s 'weirdness' had become an easy hook, a rapper who sang and hollered odes to lean and compared his jewelry to PokГ©mon. The projects often felt like extended stylistic experiments, ranging wildly in quality-but when inspiration struck, it sounded like nothing else coming out of his Atlanta hometown, from guileless outsider-pop balladsВ to completely unclassifiable vocal performance clinics. Over the course of his three-part I Came From NothingВ tape series, ThugвЂ™s now-singular voice took shape. Far from a public idol-killing, or zany sideshow, itвЂ™s composed, patient, even subtle-an album neither fans nor detractors saw coming. And on Barter 6, Thug yet again dodges any easyВ narrative. Thug seems toВ recognize the power of his own mystique, headline-grabbing yet somehow unknowable: 'Every time I dress myself, I go muhfucking viral,' he crows, bemused, on 'Halftime'. But heвЂ™s always seemed to delight in playful misdirection, quietly reveling in the chaos provoked by his mere existence, from the vaguely gender-bending fashions to the pet names for his friends. Idol or not, Thug hasnвЂ™t directly emulated Wayne since his debut tape, 2011вЂ™s I Came From Nothing. Like most everything Thugger has done in the last year and a half, it made people confused:В What kind of god-level shade was this? Is he taking any of this remotely seriously? And what in fuckвЂ™s sake is his endgame with this album, the name of which changed days before its release to Barter 6В after Wayne threatened to sue? Barter 6В was already the yearвЂ™s most controversial rap album-or 'retail mixtape,' as if the distinction really matters-before it even dropped.Д«ut Barter 6 has almost nothing to do with Lil Wayne, save its provocative title (which IвЂ™m saying is more Treachery of Images than aimless troll, anyway) and a handful of scattered lyrical shots. But then, in closing: ' Ha haaa,' punctuated with a trollish tongue wag.

I wonвЂ™t ever in my life swap words with him,' Thug pledged-days away from releasing his imminent debut album, Carter 6, a title hijacked from Wayne, whose own Carter VВ languished in Cash Money purgatory. Look how he handled the most surreal rap beef of 2015 in a recent Instagram messageВ to Lil Wayne. He thrives in gray areas, animated by the electricity generated by the tension of his own contradictions, and he never, ever offers a straightforward explanation.

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